返回文章列表
Fast Company

Jim Henson’s once-hidden puppet studio is now open for public tours in New York City

Deep in a cavernous New York City warehouse, the artisans behind some of the world’s most beloved children’s characters have been fashioning costumes and puppets for years in relative anonymity. Now Jim Henson’s Creature Shop, the workshop founded by the legendary creator of the Muppets, is drawing back the curtain. This year, the company opened the doors of its Queens workshop to public tours for the first time, allowing fans to meet a puppet builder, see a puppetry demonstration, and take photos and videos with beloved and iconic characters. Jason Weber, the shop’s creative supervisor, said the tours, which cost $150 a person, are an opportunity to celebrate the unsung craftspeople who bring these famous characters to life. “There is a level of expertise here that we’re sharing. It’s not just going to a pop-up store or something like that,” he said during a recent visit. “Things are made one-of-a-kind, made by hand with artisans who have been trained for years and decades.” Besides Kermit, Miss Piggy, and other Muppets, Henson was the creative force behind Big Bird, Cookie Monster, and other famous Sesame Street denizens, as well as the Fraggle Rock characters. He died in 1990. Henson originally founded the workshop in the 1960s in Manhattan and it has moved multiple times around the city since. It’s been at its current location in Queens since 2009. The company also has a workshop in Los Angeles, though that one doesn’t offer tours. The 80-minute New York tours take place on Saturdays. Visitors start in a large room specially created for the tour that’s filled with real show props and creations. It’s also the only spot on the tour where visitors are allowed to take photos and videos, as much of what’s in the actual workshop is still a work in progress or proprietary. The Muppets are now owned by Disney. Sesame owns the rights to Big Bird and other characters Henson created for the long-running show, which films at a nearby studio. Among the centerpieces in that first room on the tour is an Oscar the Grouch display where the Sesame Street character is in his familiar trash can surrounded by heaps of fake garbage. There’s also a menacing black throne from The Dark Crystal, Henson’s 1982 live-action fantasy film, and a full-sized working puppet of Junior Gorg, a giant from Fraggle Rock, which requires multiple performers to manipulate. The workshop space itself is filled with fantastical creatures in various stages of assembly. There are drawers and bins tucked into nearly every corner, brimming with colorful furs, textured fabrics, and ready-made puppet body parts, clothing, and accessories. “Everything we do is custom. Everything we do is bespoke,” said Melissa Creighton, the shop’s director. On a recent visit, staff were busy preparing costumes and other pieces for a range of current projects, including a Fraggle Rock musical opening later this month at a theater near Times Square. The shop’s past credits include the horror movie Five Nights at Freddy’s, the children’s fantasy film Where the Wild Things Are, and the 1990s television sitcom Dinosaurs. Sierra Schoening, a senior puppet builder, said working at the shop had been her “pie-in-the-sky” dream job. Her favorite movie growing up was The Labyrinth, Henson’s 1986 musical fantasy film starring David Bowie and Jennifer Connelly. “I just really always wanted to know how those illusions were made,” Schoening said as she took a break from fashioning a set of new creations. “I know all the secret sauce, and I’m making the secret sauce now.” —Philip Marcelo, Associated Press Follow Philip Marcelo at https://x.com/philmarcelo

收藏邮箱

AI 分析

标题洞察

这类标题的传播点在于“经典IP幕后首次开放”+“纽约公共参观”+“JIM HENSON”三重信息叠加,天然具备怀旧感、稀缺感和现场感。它适合改写成“某某经典IP幕后工坊首度开放”“你熟悉的角色,其实是这样被做出来的”等更强结果导向标题。若借势做中文内容,最好突出“第一次”“揭秘”“手工制作”“幕后”这些高点击关键词。

核心观点

文章最值得提炼的观点是:被大众记住的是角色本身,但真正让这些角色成立的,是长期被忽视的手工匠人和定制化技艺。开放参观不只是卖门票,更是在把“幕后劳动”转化为一种文化体验和价值认同。文中也隐含一个冲突:大众想看的是童年情怀,工坊想展示的却是专业、保密与定制工艺之间的边界。

创作启发

可以做成“经典角色是怎么被做出来的”系列短视频,用实拍/资料图拆解布偶、道具、服装的制作流程。也可以写成一篇人物稿,聚焦“隐藏在IP背后的匠人”,强调手工艺、职业梦想和行业门槛。若做社媒帖,可以延展为“为什么我们越来越爱看幕后”“沉浸式工坊参观值不值150美元”这类讨论型选题,但费用和参观体验的判断只能基于原文信息,不宜额外夸大。